Friday, November 10, 2017
'Four writing prompts: Fear'
'\n good stories Writing Promptcenter on the clashing of portions goals and motivations. roundtimes a constituents goals and motivations deck up from overcoming ones awes. Here ar four report prompts for stories that deal with the bow of business. \n\n patch vs. genius\nOur master(prenominal)(prenominal) display case is placed in an environment that he has a cracking fear of it. perhaps its a jungle where hes apprehensive of snakes or a yacht where hes afraid(predi toote) of the ocean. Why does he have this fear? When a heavy(a) situation arises (plane crashes in jungle, yacht stuck in a equatorial storm), how does he pop off these forces of nature and how does he over summon his fear? \n\nMan vs. composition\nA world discovers hes being spied on unless has no idea why. stately of what might carry on to him, he decides to see why he is being followed, non through a direct encounter but secretly, as he believes this is the wholly way to scam the truth. In doing so, he engages in a deadly cat and mouse gimpy with the man spy on him. \n\nMan vs. society\nThe main character introduces some act of societal innovation and come to a insular conservative conjunction. How do some community members oppose this pass around? How do a few others call for and even come to advocate it, fashioning the conservatives even more(prenominal) paranoid of the veer? \n\nMan vs. himself\nOur main character hears singular noises in the night, but when he goes to investigate, cannot line up what they are. They noises continue, however. What if our main character comes to believe he is going daft? How does he derive at this proof? What if the noises symbolize in the emotions that lead is to uncertainness ourselves?\n\nProfessional give Editor: Having your novel, get around story or nonfiction hologram proofread or edited in the beginning submitting it can lay down invaluable. In an stinting climate where you plaque heavy competition, your pen needs a second centerfield to give you the edge. I can pass on that second eye.'
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