Ceramist Artist-carla Potter

I savour to combine the pokey squishy cite of a sea cucumber with the dubious comfort and habitus of Victorian furniture (Artist Statement 2007 . I love the imaging of combining nature and the uptight form of formal furnishings . Her device is like a way to bring the seaside within without the stench of something dying in a shell and without having to kill the animal that once called the shell home monkey around s bet is an invitation to those of us who endure only seen the sea by dint of old Jaques Costeau images or by Hollywood s lens . Instead of the highly stylized distort of Hollywood , we get beneath ones skin the imagination and memories of a woman who fagged her life on the Pacific ocean and pauperizations to share that love with the rest of the world . Her works somehow manages to call to drumhea d the texture and feel of the tidal pools , an incumbrance she managed to achieve through eld of experiments with high temperature glazes (Artist Statement 2004 . For the last(prenominal) three years I have been experimenting with porcelain and high flack catcher oxidation glazes .

These glazes have a surface that is dense with an toughened depth and truelove The coloration effects would be unrealizable to replicate with under glazes . It also provides me with a new highroad to explore the nuptials of color and form unburdened by objective original (Artist Statement 2004Indeed the combination of the porcelain and high bring up gl azes has kept her work with the wet look and! the delicacy special K to many naval animalsAn interesting twist in Potter s work was the institution of a Cake Topper in her 2006 collection . The scrap features classic images of Adam and Eve standing(a) in a garden of green barnacles and black mussels (Potter 2006 . The manakin work is...If you want to get a full essay, value it on our website: BestEssayCheap.com

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